All School “In C”
Michael Ribiat All School “In C”
Ken Robings Personal; Cell; 818.281.7412I have been designing motion picture/video/digital and audio equipment for over thirty years now. Postgraduating from C.S.U. Fullerton I attended California Institute of the Arts (Cal Arts) department ofExperimental Animation in 76/77,mentored by Jules Engel. After that I was in Hanna Barbara’sanimation training program, and then I worked on illustrating educational films in Hollywood for twoyears. Later I
Kenneth Robings 2018.pdf
Kenneth Robings Kenneth Robings 2018.pdf
Christian Van Houten History of Experimental Film Response 12 I want to say that Robert Breer’s “69” is a “musical” film, but what is meant by this? First of all, we should say that rhythm is not strictly a property of music; thus, it is more accurate to say that it is a rhythmic film, with its repeated shapes and movements throughout, and then that rhythm is a necessary but insufficient property for music, or any art, since this rhythm must “receive” a medium, a consistency, so as to take on a
Christian Van Houten HEF12.docx
Christian Van Houten Contemporary Political Theory Essay 1 In this essay I attempt to disambiguate some of the relations between the meanings of liberalism, neoliberalism, bourgeois, individualism, capitalism, and democracy, with Carl Schmitt’s The Concept of the Political and Deleuze and Guattari’s Anti-Oedipus particularly in mind. With regard to Schmitt, it is interesting to read a so-called right-wing (i.e. Nazi) critique of liberalism when most academic literature today on the subject comes
Neo/Liberalism and other Disambiguations
Christian Van Houten Neo/Liberalism and other Disambiguations
Christian Van Houten History of Experimental Film Response 4 There are two things from Stan Brakhage’s film The Wonder Ring I would like to consider. The first is layers. Specifically, the shots from inside the train looking out the window. Not only do we see what’s through the glass, but we sometimes also see the surface of the window itself, and the reflected image of those inside the train (and it’s plausible that the window reflects the other window, and they bounce back indefinitely). That’
Christian Van Houten HEF4.docx
Christian Van Houten There are many things one could say about A Movie by Bruce Conner, such as the relation between the title and the content of a movie literally composed of several movies, but I will focus instead on three related elements that came to mind while watching. One is particular to the film and the other two more general to the construction and experience of film, based on what is done here. The first is the sequencing images from disparate sources in a found footage film, specif
Christian Van Houten HEF5.docx
Christian Van Houten History of Experimental Film Response 7 Take the 5:10 to Dreamland, Bruce Conner. Immediately called to mind is 3:10 to Yuma, which refers to a train line. Already, then, we know that we’re going somewhere in the film. Indeed, the object – a white flower petal? – propelled upward by the radiator appears to transform into a kind of space rocket. And we get scientific diagrams and other objects that reinforce this possibility. Then, the “rocket”, having undergone yet another t
Christian Van Houten HEF7.docx
Christian Van Houten History of Experimental Film Response 8 Bridges-Go-Round and The Wonder Ring, both films of urban structures, have many similarities. However, what constitutes the films’ vast differences is how these similarities – and the interrelations between these elements – are foregrounded. The similarities, generally speaking, are of: color, shape, space, and texture. There are actually few colors, numerically, in Bridges-Go-Round, but they take a prominent role because of the large,
History of Experimental Film Response 8.docx
Christian Van Houten History of Experimental Film Response 8.docx
Christian Van Houten History of Experimental Film Response 9 Earthly Possessions (The Looking Glass Trilogy, Part III) by Pelle Lowe. “When the world leaves you”, words spoken in the film, would be an apt description for both what seems to go on in it as well as the experiencing of it. The quality of the Super 8 itself has a lot to do with this otherworldliness: namely, the sonic distortions and the off-white color values that feel like parchment. Though much of the film takes place in interior
History of Experimental Film Response 9.docx
Christian Van Houten History of Experimental Film Response 9.docx
Creative Writing
Marley Townsend Creative Writing
Alaina Lopilato From: Denver, Colorado Education: Graduated from Prairie View High School, class of 2015. Completed two semesters of college courses. High School Theatre Thoroughly Modern Millie Dorothy Parker Prairie View Theatre Department Nobody Famous Madame Mooch Prairie View Theatre Department Fools Slovitch Prairie View Theatre Department Macbeth Witch 1 Prairie View Theatre Department The Drowsy Chaperone Gangster 1 Prairie View Theatre Department Almos
Acting Resume.docx
Alaina Lopilato Acting Resume.docx
I know where to find the beauty but I am frightened For a crevice could soon gape and gravity will mistake you for matter I know where to find the beauty but I fear being warped, wild, west of my duty It has grown so tall Not long now but I don’t know how to water I am lucky for my life is framed and I know where to find the beauty but I don’t know Jolly good frame too how to ache or how to water Blessed like cotton Blessed like sugar Broken by mere chance I think I know, for fuck’s sake Blessed
Poem #1
Patrick Shand Poem #1
Baneposting Script
Thomas Finney Baneposting Script
Herbert [1] Risk Assessment The morning already had an oppressive heat. Chloe Hutton, sole inheritor of Hutton Investigation Services on Wimberley Avenue, spent the greater part of two hours fighting with the window. When it was open, the humidity swept in like the tide and made her pressed white blouse cling to her damp back and breasts. With the window closed, however, the air grew hot enough to turn a single sniffle into a bloody nose. Eventually, Chloe gave up and propped open the door to
Risk Assessment
Rachel Herbert Risk Assessment
about 11,100 words Rachel Herbert 6204 Hope St., Simi Valley, CA 93063 (805) 433-5324 While the Stars Watched By Rachel Herbert Everyone kept talking about it. No matter what the crew did, or said, no one left it alone. Plenty of people had their ideas and speculations, but there was only one fact: a crewmember drowned in a pond from one of the gardens. They found him face down in the water, naked. His uniform, left on the grassy bank, was in a piled heap and his
While The Stars Watched
Rachel Herbert While The Stars Watched
“Grandma Died” Sir Purrington found her tongue delicious.
Six-Word Stories
Rachel Herbert Six-Word Stories
Sneaker Waves Grandma warned me, From the depths they will rise to swallow everything Forged in darkness Pulled forth from the cosmos There is no escape We cannot see them They are coming It will hurt
Sneaker Waves
James Bernard Sneaker Waves
Yaqi (Stephy) TAO _portfolio.pdf
Stephy Tao Yaqi (Stephy) TAO _portfolio.pdf
October 29, 2015The CalArts EyeVol. 6 No.1
Eye Vol 6 No 1
The CalArts Eye Eye Vol 6 No 1
Music and the Sublime: Aesthetics, Phenomenology, and Lacanian Psychoanalysis Christian Van Houten Advisor: Dr. Christopher Latiolais Kalamazoo College Department of Philosophy A paper submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts at Kalamazoo College. 2015
Christian Van Houten SIP.pdf
Christian Van Houten Christian Van Houten SIP.pdf
13In/Form–HaemoAesthetics and Politics12Alex. F BrownDisenchantment,Drive and DriveNicholas Winding Refn’s 2011 film Drive contains a short but indelible sequence in which the relations of desire and death-drive, Eros and Thanatos, appear in perfect simultaneity and indissociability. The name-less hero (henceforth “Driver”) and the woman he loves (Irene) stand in a hallway. An elevator opens, a man stands inside. The protagonists get in and the elevator closes and begins to descend. A gun is gli
Disenchantment, Drive and Drive
Alex F. Brown Disenchantment, Drive and Drive
Bottled Magic
Claire Meler Bottled Magic
Gillian Moon Sound Design Education: MFA in Sound Design 2016 BA, Theatre - Design/Production 2009 California Institute of the Arts (CalArts), Valencia CA Keene State College, Keene NH Games 2014-2016 *denotes work in progressTheater Sound Design 2010-2016 Related Experience Skills DAWs: Protools, Ableton Live, Logic Game-related software: Unity, FMOD, Unity and FMOD integration Unity P
Gillian Moon GillianMoonResume_SoundandGames.pdf
Jennifer Remenchik heylady.pdf
1SARA BIERSTEKERIrene looked at her bloodied fingertips, clutching the old Cadillac’s steering wheel. She grew pensive. “Nope,” she thought. “Still not even.” Finger by finger, she bit her nails while stuck in morning traffic. In theory by the time she parked in the chain link fenced parking lot, her nails would be bitten even. Her execution was always haphazard. Distinct spots of dried blood trailed on doorknobs or walls that she carelessly brushed against as she walked up the six flights of st
Inorganic .pdf
Sara Biersteker Inorganic .pdf
 Daniel  Loyola        Contact: 661-505-8872    FILM  (Selected)    The  Sky  Began  To  Scream    Supporting      HowDidISlipInto  Productions  Future  Streams        Supporting      Black  Summit  Studios  Nine  to  Five        Lead        Farias  Productions      Rogue  (Pilot)        Supporting      Fox  20th  Century  Productions    THEATER  Life  is  a  Dream    Lead/Understudy    Roy  &  Edna  Disney/CalArts    Theater          Kooks  
Daniel Loyola Resume October 2015.pdf
Daniel Loyola Daniel Loyola Resume October 2015.pdf
“You are the first girl I ever said I loved.” for the first time I see a different melody in your eyes sweet, honey, marable windows begin to drown disbelief still their powerful, unwavering stare remains for the first time, I am unable to match them words struggle to convey truths and eyes falter in the midst of emotion marable windows grow tense­­the song they sing is now desperate, dripping in pain truths are diluted and muddled love is lost and panic turns to anger the glittering softness in
January 9 2014
Catalina Jackson-Uruena January 9 2014
“I don’t understand why this isn’t working” I stare at the floor shaking, stunned I can feel your eyes following my every movement waiting, anticipating I can feel myself starting to cry looking up at you pulls my heart violently swinging my chest down into the pit of my stomach agony. it is when the very caverns of my soul seem to have been stolen by your gaze folding over and over, documents that describe me, filed away in the cabinets of your conscious. papery truths decaying at their creases
Catalina Jackson-Uruena Four
Navel Mine C.  I found myself dragging my body through the days each heavier than the last wondering how I could be so destroyed but keep existing   as I swam within myself barely keeping up with the surface a mine at the base of my navel erupted up through my chest and burst  an explosion I was unable to swallow  the power I unknowingly held in my abdomen where an entire universe spun  shook the roots at feet and unfastened my torso spinning out into a heap of unrecognizable me   there I was, s
Navel Mine
Catalina Jackson-Uruena Navel Mine
Sitting in the Grass, Thinking of You C.  For the days when the sunshine is not enough when the weight of your very bones inhibits your walk and the strength behind your eyes dims Look to her  She blooms and buzzes with life in her hands she holds the density of a billion lives she experiences you  and you experience her all encompassing, unity  Let her mend your tired limbs replenish your worn heart and she will remind you that you are her child of earth woven together with stardust she will ta
Sitting in the Grass Thinking of You
Catalina Jackson-Uruena Sitting in the Grass Thinking of You